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ThreeWeeks Comedy Reviews 2002: D reviews
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1 no go • 2 poor show • 3 good
in its genre • 4 just damn good • 5 kill for a ticket |
Don’t Be
Needy, Be Succeedy! Neil Mullarkey By
casting himself as an American self-help guru, Neil Mullarkey immediately
sets himself up as the perfect comic archetype. He is shockingly spot-on
with the character of pseudo-guru L Vaughn Spencer, whose empowering stay
with the Native Red Indians earned him the name ‘Talking Bull’. Spencer is
the shaman for the layman, the iconoclast who moves too fast, taking time
out from his Watford Warrior Weekend seminars to help the helpless
succeed. Mullarkey interacts beautifully with the audience, his oily charm
overcoming any shyness, while his brilliant word-play and electric charm
ensure there is never a slow moment or awkward silence. More than a
one-trick show, Mullarkey parodies every American self-help cliche with
chilling attention to detail: empowering muzak, pseudo-science techniques
such as ‘letterology’ (only eat foods that begin with your first initial),
and the successor to feng shui, namely ‘tong shui’(success through the
correct hairstyle). In short, Mullarkey is ‘succeedy’ and off-the-charts
wonderful. Assembly Rooms, 2-26 Aug, 8.00pm (9.00pm), prices vary,
fpp 43. twrating: 4/5 [br] published: week three
Daniel
Kitson - Something Daniel
Kitson Adorable but filthy, Daniel Kitson is another one of the
Fringe comedy darlings and for good reason. The fact that this year you
will find him clean shaven with shirt and tie only serves to highlight how
he is able to be completely inoffensive and so incredibly offensive at the
same time. The great thing about Kitson is that he never underestimates
his audience’s intelligence and is unfazed if they fail to understand his
quirky, observational and often self-confessional humour. There is a lot
of hype surrounding Kitson and understandably so. If you are easily
offended or find that the slightly obscure often goes over your head, then
he’s not really the comic for you, but for those who are a touch more
open-minded you’re sure to love him; and for those of you who enjoy to
heckle this is one show you should not miss. Pleasance Over The Road,
11-26 Aug (except 20 Aug), 9.45pm(10.45pm), prices vary, fpp
24 twrating: 4/5 [jc] published: week two
Danny
Bhoy Karushi A relaxed manner combined with a witty and
pacey banter, this Bhoy certainly knows how to connect with his audience.
Topical and observational, Danny Bhoy is as quick to joke about his own
idiosyncrasies as he is about the George W or Ryanair and he does it
extremely well. His humour is a touch on the obvious side and indeed
poking fun at Scottish weather is hardly an original angle to start with,
but Bhoy’s charming, confident manner is a winning formula in the intimate
surroundings of the Pleasance Cabaret Bar. While there is no doubt that
Bhoy is a funny and likeable guy, I craved for a touch more innovation and
imagination, but it never came. If he wants the people to be truly ‘mad
about the Bhoy’, I can’t help but think it’s time for one of Scotland’s
more notorious comedians to step it up a gear. Pleasance, 7-26 Aug,
8.00 pm (9.00 pm), prices vary, fpp18. twrating: 3/5 [jc]
published: week two
Danny
Buckler and Mandy Muden are Two Funny Magicans RBM comedy This
was a rather imbalanced comedy magic show, with one half of the duo being
far funnier than the other. Sorry girls, but the endearing Danny stole the
show for me with his excellent impersonations and chuckle earning
technical improvisations. Mandy persisted in flirting with the male
members of the audience to get her laughs and it didn’t always work; she
should have had a different approach up her sleeve (and not just the
cucumber that was peeping out from there for a good 15 minutes for all to
see). That said, their joint grand finale was certainly amusing, and that,
if nothing else, is guaranteed to make you laugh. Assembly Rooms, 4
– 26 Aug (not 19), 9.15pm (10.15pm), prices vary, fpp 25. twrating:
3/5 [nas] published: week three
Dara
O’Briain Off The Kerb Celtic as bog, and Leprechaun, and other
touristy stereotypes, O’Briain has the energy of a Cockney fruit-seller on
speed and the delivery of a blitzkrieg. He’s also unstoppably funny. The
laughs honestly never let up a tidal wave of laughs crashing over the
audience without pause. He works the audience (even his soundman) with
consummate professionalism. Though most of the jokes are the standard
material (World Cup, Irish ethnicity and stereotypes) and some come at the
expense of stock targets (London financiers, travelling on Eurostar,
mobile phones and texting), the delivery is just wonderfully out of
control and O’Briain’s charm is amazing for someone with a degree in
theoretical physics. His tale of attending his grandmother’s military
funeral provides laughs galore as amazing details of her life are
revealed, and O’Briain smashes out the tale like a man possessed, leaving
the audience on the floor. No smugness, no pretension and no crap jokes. A
real craic commando. Pleasance Courtyard and Over The Road, 60 The
Pleasance, 31 Jul - 26 Aug (not 5 Aug), 9.20pm (10.20pm), prices vary,
fpp. 44 twrating: 4/5 [br] published: week two
Dead
Herring Awkward Silence Awkward silence indeed. As the one
actor scrambles frantically around for a costume or prop for twentieth
time, the joke starts to wear a little thin. Although all the characters
are played with panache and bucket loads of energy, the show never quite
comes to the crescendo of lunacy that I feel it deserved. The story is
slightly too predictable, and the silent scene near the end really saps
the energy. However, there are moments of genius, such as the fight
between two characters represented by a jacket and a sweater both being
played by the same man. One can only hope that as the show goes on, the
creases are ironed out. Details: Greyfriar's Kirk House, 5 - 18 Aug,
7.45 pm, (8.30 pm), £6.00 (£4.00), fpp 26 twrating: 2/5 [tt]
published: week two
Deaf in the Afternoon: Steve Day Amused Moose
Comedy A self proclaimed “successful failure”, Steve Day has some
pretty altruistic aims for a stand up: to simultaneously make you laugh
and “be inspired” by his performance. Day’s autobiographical show is the
effective hearing of the trials and tribulations of someone with 70%
deafness. Blimey - clearly this is a very different type of comedy,
something which Day seems particularly proud of and so he should be. This
man’s warmth and wit instantly disables the audience, and then gives them
an outlook on life without sound as something to take away. OK, it all
sounds very worthy and yes, his work is hard to place in a traditional
comedy genre (it’s more chuckles than belly laughs) but think Mark
Thomas-esque ‘protest comedy’ and you’re on the right lines. A refreshing
alternative for those times when you just can’t stretch to complete
nonsense. The Smirnoff Underbelly, 1-10 Aug, 12.45pm (1.40pm),
prices vary, fpp 26. twrating: 3/5 [sl] published: week
one
Death By
Sketches The Hix Family Roobinstein It’s not clever, it’s not
grown-up, but it is quite funny. This fast-paced collection of sketches
works because the sheer energy from the performers seems to will the
audience into laughter. There is plenty of slapstick, Osama Bin Laden’s
and Puns. In fact, you will never have experienced quite so many puns in
one show. Enjoyable, but not intelligent. Gilded Balloon Caves, 4-26
Aug, 7.30pm (8.30pm) £7.50 (6.50), fpp.26. twrating: 3/5 [ps]
published: week three
Deirdre
O’Kane Lisa Richards Limited Holy Christ, can she talk. This
was an unremitting hour of patter that seemed to pass in about three
minutes, leaving the capacity audience to bay for more when she left.
O’Kane is an instantly charismatic stage presence and her brand of
day-to-day anarchism (‘sure, you see a ring on my finger, but that’s never
going to last is it?’) stormed the place. This is a confident but
winningly self-deprecating show, with her personal anecdotes uproarious in
their consistent humour, rather than being an obvious embellishment to
justify a punch line. Listening to her tales of passing out in hysterics
in an Indian jungle and abusing American cab drivers is an exhausting but
unmissable experience- if only she’d ended on that talking instead of a
somewhat dated Irish pop spoof. Pleasance Dome, 1-26 Aug (not 7,
16), 10.35pm (11.35pm), prices vary, fpp 27. twrating: 5/5 [rm]
published: week two
Des
Bishop's Comical Warefare It has to be said that it's
incredibly refreshing to see a stand-up who doesn't use a microphone, and
it allows Des Bishop full reign when performing; he rants, raps and,
godammit, really enthuses about his material; there's no deadpan here! The
first half of his show is very much the "American abroad" (Ireland in this
case) but embraces bizarre topics such as immersion heater etiquette and
the spot-on "Sinn Fein In The Brain" rap. The second half is more
politically cynical, especially about America's role in the world. I'm no
comedian, but you'll just have to take it from me that Des Bishop is not
only immensely likable (ignore those posters) but also very, funny, his
style reminiscent of the late, great Bill Hicks. If you're a fan of Hicks,
go see Des Bishop. If you've never heard of Bill Hicks, go see Des Bishop
anyway. Gilded Balloon Teviot, 2 - 26 Aug, 9.00pm (10.00pm), prices
vary, fpp27 twrating: 4/5 [cjdm] published: week
three
Des
McClean - Five Stars Amused Moose
Comedy There are occasions when Des seems to cross the line from
comedian to bully - fast food workers can be simple and old people piss
themselves, he says - so if you’re a bit soft then this Glasgow pub-style
stand-up’s probably not for you. But whilst this sort of laddish
schoolyard stuff occasionally crops up, the majority of McClean’s set is
smart and articulate (despite his slight jitters on the night). Indeed he
is at his best when he aggressively flips this boys stuff on its head,
smartly wondering about the idolisation of gangsters, and when he lets
flights of fancy take over - what would be a suitable collar for a ‘dole
scum’ PDSA dog he asks. For fine Scottish stand-up you won’t find better
on the Fringe, and if you, like me, boggle at the inanity of the Metro’s
letters page, then you should check this show out. The Smirnoff
Underbelly, 1-24 Aug, 9.40pm (10.35pm), prices vary, fpp
27 twrating: 3/5 [rm] published: week two
Ding
Dong Oram and Meeten Two men, their friend and a baby
attempt to take us on a journey through the sparsely populated attics of
their minds. Their overplayed supermarket obsession, (yes, we are
baguettes, as the friend emphatically reminds us, er what?) is endearing
at first, but soon becomes as exciting as a trip to Tescos. And talking of
ham and cheese, it’s hard to know whether it’s the acting or the script
that collects the least club points. In their own words, this sketch show
is a roller coaster ride of emotions - from pain to boredom. How right
they are. Pleasance, 31 Jul- 26 Aug (not 7&12), 7.00pm
(8.00pm), prices vary, fpp 45. twrating: 2/5 [at] published:
week two
Dunlop
and Dowdeswell Amused Moose Comedy
This show comprises two separate sets; one from Dowdeswell,
followed by one from Dunlop. Dowdeswell’s style is a rambling,
self-deprecating observational one that relies on a fair amount of
audience interaction. Hailing from the West Country, you can expect a few
pops at bumpkin mentality, along with a Samuel L Jackson impression that’s
possibly better than the real thing. Dunlop’s delivery is more slick and
charismatic, but his material is less original, mainly focussing on
ridiculing the elderly. Although funny at first, it quickly becomes tired
and it’s evident that Dunlop hasn’t prepared enough solid material for the
show. Taken together, the show is a fairly enjoyable stand-up double bill,
but nothing to get excited about. Smirnoff Underbelly, 1-25 Aug,
7:10pm (8:05pm), £7.00 (£6.00) (prices vary), fpp27. twrating:
2/5 [dh] published: week one
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